Ao dai Vietnam
Every country, every nation has its cultural characteristics of each region and its own traditional costumes. Japanese women boast Kimono, famous women with Hanbok Korean, Indian women leave me particularly impressed with the Sari. As women Vietnam, from time immemorial has always accompanied gown graceful and slender.
Whether and how many thousands of years with many variations, single definition also recognizes the traditional costume of Vietnamese people are not hybridized with other cultures is two long dress. Dresses Vietnam appeared in the English dictionary is also still "Aodai" demonstrate strong symbol for nationalist beauty of this traditional outfit. Many people believe that Vietnamese ao dai is a cheongsam other Chinese women, but the cheongsam only appear in about 1920, while Vietnamese ao dai had long before that. This demonstrates the long coat is a particular cultural features of Vietnam, Vietnamese people are just.
Whether Vietnamese people now no longer wear long as a casual clothes as before, but still is a long coat formal dress to wear for formal occasions. Especially so in these days of national festival, the ao dai became a costume with many ethnic definition.
From ancient times, when primitive technique, fabrics are woven into pieces small size should be grafted four pieces of the new sewing a shirt enough, call the familiar four-shirts. Austria consists of two pieces behind clasped between the spine (called life jacket), the edges of two pieces that were linked together and tucked inward, two-piece front is tied up and to dress hangs down into two in the middle, so not buttoned to wear.
Until 1884, Western culture was introduced into Vietnam and bring much change with a long shirt. From tunic crossing an other history and revealed many of tunic appearance today.
After College of Hanoi Fine Arts opened, there have been many artists devoted to ethnic ao dai tunic designed more to ease to a more modern person, while implementing a major reform with four-shirt to make it only two flaps front and rear only. Breakthrough bold designs contributed to the formation of today's tunic style tunic "Le Mur" by Cat Tuong creative artist in 1939. Unlike the traditional wide in shape, Le Mur hugging tunic curve monitoring body with more westernized as bulging arms, neck carved heart-shaped, enclosed bow ... shirt "hybrid" public opinion of that time were strongly condemned, to be indecent, only sex stylish modern artists dare to wear. By 1943, the style of this coat forgotten.
60s-70s decade, starting long coat crown charms of women. Sewn pinched waist, some people even use the shirt in the halter around in the second round to be smaller waist, wide dress, pointy-breasted coat, bear coat horizontal, long close to the ankle, making the wearer is shaped "wasp waists".
So far, still do not know the exact origin of the gown. But the connection back in time, to find the source, image tunic with two slender dress was found in the etchings drum Ngoc Lu in the last few thousand years.
Dresses have many kinds. But early the oldest gown is clothing during head: like ao tu than, but when, even before the two bodies to intersect without forcing it. Since then, women have to work in the fields or to coat the period leading trade are contracts in ao tu than: four-flap front right half, the second half to tie, tie the second half left. But the woman got home provinces, want a long shirt-style pharmacy somehow innovative features to reduce rural labor regime and increase the appearance of luxury, Khue. So ao tu than being transformed in that tie this right half was collected before the baby back into the lap; add a little beige Thursday flap located under the front flap becoming dear nighty.
Also Le Mor tunic of an artist in the early 1930s, Le Pho's tunic painter Le Pho was designed in 1934, long dress with hand steering feeling in 1960, tops the list for long miniraglan schoolgirl…
Unlike the Japanese kimono or Korean hanbok, Vietnam gown fit and modern traditions, can wear at anytime and anywhere: use as work clothes, school uniforms, worn for receptions ... The formal indoor wear this dress without frills or fussy, even together with simple things: wear with a silk pants or soft cloth under clogs feet away, or shoes are; if necessary formality (as the bride dresses) are more compassionate and a long tradition turban headed, or a Western custom crown. This is the second feature of this traditional dress.
Dresses can multicolored but probably still the most beautiful white gown represents the purity of a woman Vietnam. In school, nothing spectacular and serene for by each morning, each group of girls in a long dress, slender, long hair loose cycling to school. Also there, the teacher, the second mother of the student treading gently pick her children in school before the new gowns really exudes loving, and loving. During the holidays, tunic back again looming on the street intersection, the flowers and landscape of a new heaven and a new earth, blooming Tet. Dresses filings cramped crowded street people and vehicles, loud uproar warm, soothing the scenery and the cooling of your soul, make someone must return watch even once, relieve the discomfort and u UAT nature inherent in every human being busy.
Gown apparently has its own way to crown the beauty of every body. Section on hugging relatives but two let go really wide flap on double wide trousers. Two evil sawn on waist to make the wearer feel comfortable, the slender shape exalted femininity, fit tight spacing for whole body covered with some soft silk has also pique because it reveals live waist. Therefore, the gown brought highly personalized, each with separate stitches for a person and only intended for them, technology can not be a "mass production" for the gown. The measurements were taken away sew very carefully, when sewing is finished to try and modify a few more times, the new perfected.
Dresses are the embodiment of ethnic Vietnamese, an aesthetic beauty pretty but loving, is an essential part of every woman's Vietnam, are specific to a country where women suffered hard, always sacrifice, standing behind to promote spiritual home country, together in harmony and development. Over the period in question, each stage along with the evolution of the history of Vietnam, Vietnam Ao Dai has always existed over time, there will always be soul Vietnam, Vietnamese culture, the spirit Vietnam and the traditional dress with bold long history of Vietnamese water thousand years of civilization.
Discreet, charming and sexy as one of the factors taken tunic become the pride of the Vietnamese. Not just another coat - gown has become a symbol of women's costumes Vietnam, as a product of traditional cultural objects indispensable to the charm of Vietnamese women.
Every country, every nation has its cultural characteristics of each region and its own traditional costumes. Japanese women boast Kimono, famous women with Hanbok Korean, Indian women leave me particularly impressed with the Sari. As women Vietnam, from time immemorial has always accompanied gown graceful and slender.
Whether and how many thousands of years with many variations, single definition also recognizes the traditional costume of Vietnamese people are not hybridized with other cultures is two long dress. Dresses Vietnam appeared in the English dictionary is also still "Aodai" demonstrate strong symbol for nationalist beauty of this traditional outfit. Many people believe that Vietnamese ao dai is a cheongsam other Chinese women, but the cheongsam only appear in about 1920, while Vietnamese ao dai had long before that. This demonstrates the long coat is a particular cultural features of Vietnam, Vietnamese people are just.
Whether Vietnamese people now no longer wear long as a casual clothes as before, but still is a long coat formal dress to wear for formal occasions. Especially so in these days of national festival, the ao dai became a costume with many ethnic definition.
From ancient times, when primitive technique, fabrics are woven into pieces small size should be grafted four pieces of the new sewing a shirt enough, call the familiar four-shirts. Austria consists of two pieces behind clasped between the spine (called life jacket), the edges of two pieces that were linked together and tucked inward, two-piece front is tied up and to dress hangs down into two in the middle, so not buttoned to wear.
Until 1884, Western culture was introduced into Vietnam and bring much change with a long shirt. From tunic crossing an other history and revealed many of tunic appearance today.
After College of Hanoi Fine Arts opened, there have been many artists devoted to ethnic ao dai tunic designed more to ease to a more modern person, while implementing a major reform with four-shirt to make it only two flaps front and rear only. Breakthrough bold designs contributed to the formation of today's tunic style tunic "Le Mur" by Cat Tuong creative artist in 1939. Unlike the traditional wide in shape, Le Mur hugging tunic curve monitoring body with more westernized as bulging arms, neck carved heart-shaped, enclosed bow ... shirt "hybrid" public opinion of that time were strongly condemned, to be indecent, only sex stylish modern artists dare to wear. By 1943, the style of this coat forgotten.
60s-70s decade, starting long coat crown charms of women. Sewn pinched waist, some people even use the shirt in the halter around in the second round to be smaller waist, wide dress, pointy-breasted coat, bear coat horizontal, long close to the ankle, making the wearer is shaped "wasp waists".
So far, still do not know the exact origin of the gown. But the connection back in time, to find the source, image tunic with two slender dress was found in the etchings drum Ngoc Lu in the last few thousand years.
Dresses have many kinds. But early the oldest gown is clothing during head: like ao tu than, but when, even before the two bodies to intersect without forcing it. Since then, women have to work in the fields or to coat the period leading trade are contracts in ao tu than: four-flap front right half, the second half to tie, tie the second half left. But the woman got home provinces, want a long shirt-style pharmacy somehow innovative features to reduce rural labor regime and increase the appearance of luxury, Khue. So ao tu than being transformed in that tie this right half was collected before the baby back into the lap; add a little beige Thursday flap located under the front flap becoming dear nighty.
Also Le Mor tunic of an artist in the early 1930s, Le Pho's tunic painter Le Pho was designed in 1934, long dress with hand steering feeling in 1960, tops the list for long miniraglan schoolgirl…
Unlike the Japanese kimono or Korean hanbok, Vietnam gown fit and modern traditions, can wear at anytime and anywhere: use as work clothes, school uniforms, worn for receptions ... The formal indoor wear this dress without frills or fussy, even together with simple things: wear with a silk pants or soft cloth under clogs feet away, or shoes are; if necessary formality (as the bride dresses) are more compassionate and a long tradition turban headed, or a Western custom crown. This is the second feature of this traditional dress.
Dresses can multicolored but probably still the most beautiful white gown represents the purity of a woman Vietnam. In school, nothing spectacular and serene for by each morning, each group of girls in a long dress, slender, long hair loose cycling to school. Also there, the teacher, the second mother of the student treading gently pick her children in school before the new gowns really exudes loving, and loving. During the holidays, tunic back again looming on the street intersection, the flowers and landscape of a new heaven and a new earth, blooming Tet. Dresses filings cramped crowded street people and vehicles, loud uproar warm, soothing the scenery and the cooling of your soul, make someone must return watch even once, relieve the discomfort and u UAT nature inherent in every human being busy.
Gown apparently has its own way to crown the beauty of every body. Section on hugging relatives but two let go really wide flap on double wide trousers. Two evil sawn on waist to make the wearer feel comfortable, the slender shape exalted femininity, fit tight spacing for whole body covered with some soft silk has also pique because it reveals live waist. Therefore, the gown brought highly personalized, each with separate stitches for a person and only intended for them, technology can not be a "mass production" for the gown. The measurements were taken away sew very carefully, when sewing is finished to try and modify a few more times, the new perfected.
Dresses are the embodiment of ethnic Vietnamese, an aesthetic beauty pretty but loving, is an essential part of every woman's Vietnam, are specific to a country where women suffered hard, always sacrifice, standing behind to promote spiritual home country, together in harmony and development. Over the period in question, each stage along with the evolution of the history of Vietnam, Vietnam Ao Dai has always existed over time, there will always be soul Vietnam, Vietnamese culture, the spirit Vietnam and the traditional dress with bold long history of Vietnamese water thousand years of civilization.
Discreet, charming and sexy as one of the factors taken tunic become the pride of the Vietnamese. Not just another coat - gown has become a symbol of women's costumes Vietnam, as a product of traditional cultural objects indispensable to the charm of Vietnamese women.
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